Lower-Division

HAVC 10 Introduction to African Visual Culture

An interdisciplinary approach to the study of the basic structures (gender, art within political sphere, and spiritual aspects of visual culture) and cultural institutions (initiations, closed associations, kingship, title association, etc.) around which the study of African visual culture revolves.

Credits

5

General Education Code

CC

HAVC 20 Visual Cultures of Asia

An introduction to the art and architecture of East Asia, including China, India, Southeast Asia, and Japan. In order to achieve a fuller understanding of the arts of these countries a historical, cultural, and religious context is provided.

Credits

5

General Education Code

CC

HAVC 22 Religion and Visual Culture in China

Introduction to the study of religious currents and practices in China and their visual expression. In addition to religious art, topics include such pivotal matters as body concepts and practices, representations of the natural world, and logics of the built environment.

Credits

5

General Education Code

CC

HAVC 24 Southeast Asia Visual Culture

Introduces the visual cultures of Southeast Asia. Topics include indigenous megalithic art, textiles, and jewelry, as well as Hindu and Buddhist art and architecture. Also considers shadow play and dance performance as alternative lenses to looking at ritual and visual narratives rendered on stone temples.

Credits

5

Instructor

Boreth Ly

General Education Code

CC

HAVC 27 Image and Ideology in Indian Art

Examination of the ways social, religious, and political patronage have affected the production and reception of art in the Indian subcontinent. The course is designed as a series of case studies from different periods of Indian history.

Credits

5

Instructor

Kirtana Thangavelu

General Education Code

IM

HAVC 28 Ghosts, Haunting, Memory, and Erasure in the Films of Asia

Explores the theme of memory, haunting, ghosts and the politics of erasure and remembrance in films made by Asian filmmakers and contemporary artists in Asia. Examines the intersecting themes of haunting, memory, and ghosts and how selected filmmakers and visual artists in Asia go about framing and unframing this topic in their work. The goal of the course is to see, through a comparative lens, how these selected filmmakers and artists treat the topic of specter and the politics of memory and erasure in their respective films from a national and transnational perspective.

Credits

5

Instructor

Boreth Ly

General Education Code

CC

HAVC 30 Introduction to European Visual Culture

General survey of European art and architecture with a focus on the southern, Mediterranean ancient cultures. Course consists of a number of case studies of works from various periods from ancient to modern.

Credits

5

Instructor

Allan Langdale

General Education Code

IM

HAVC 35 European Visual Culture in a Global Context 1500-1900

Survey of the visual and material products of European contact with Africa, Asia, Oceania, and the Americas between 1500 and 1900 focused both on object-specific case studies and thematic discussions of contact, colonialism, appropriation, and the visual construction of race.

Credits

5

Instructor

Kailani Polzak

General Education Code

ER

HAVC 39 African-American Art

Interdisciplinary investigation of the construction of race in the United States, tracing the impact of European art on American artistic production, exploring its influence on African-American art and culture, including the Harlem Renaissance, black internationalism, and the vibrant Negritude movement. Explores how a definable black aesthetic crystallized during the late 1950s-70s African anti-colonial, Civil Rights and Black Power eras, and continued to flourish through the 1990s—all of which gave rise to new artistic forms such as black queer, feminist, and conceptual art. Also studies the phenomenon of post-black art, popular visual culture, as well as discourses on African modernity and globalization.

Credits

5

Instructor

Derek Murray

General Education Code

ER

HAVC 40 Museum Cultures: The Politics of Display

Explores the history of collecting and displaying art (museums, galleries, fairs) since the mid-19th century and the effect of institutional changes on aesthetic conventions. Follows the history from the origins of museums and collections to contemporary critiques of institutional exclusion and misrepresentation.

Credits

5

Instructor

Jennifer Gonzalez

General Education Code

IM

HAVC 41 Introduction to Modern Art

Examines the social, economic, and political significance of European and U.S. modernist art and architecture, moving from French realism to American minimalism. Provides the historical background and theoretical frameworks needed to make sense of modernist art and culture.

Credits

5

General Education Code

IM

HAVC 43 History of Modern Architecture

Examines the origins and development of modern architecture, from the Enlightenment and the Industrial Revolution to the 20th Century and beyond. Buildings, urban plans, and works of art and design are discussed in relation to political, social, and cultural currents.

Credits

5

Instructor

Albert Narath

General Education Code

IM

HAVC 44 Designing California: Architecture, Design, and Environment

Introduces the complex interplay between design--including architecture, art, engineering, and city planning--and conceptions of environment during the 20th Century in the American West.

Credits

5

Instructor

Albert Narath

General Education Code

PE-E

HAVC 45 Photography Now

Explores recent methods and approaches in photography. Surveys significant aesthetic, conceptual, and theoretical shifts occurring in the photographic medium and related discourses. Special attention given to the current landscape of contemporary photography (1980-present).

Credits

5

Instructor

Derek Murray

General Education Code

IM

HAVC 46 Introduction to U.S. Art and Visual Culture

Overview of U.S. art and visual culture from the late 18th Century to the present. Examines art as evidence for understanding evolving beliefs and values of Americans. Explores the social and political meanings of art, and pays particular attention to how artists, patrons, and audiences have constructed nationalism, race, class, sexuality, and gender.

Credits

5

General Education Code

ER

HAVC 47 Introduction To Contemporary Art

Introduces students to major debates and practices in contemporary art from 1960 to the present. Not a strict chronological survey or exhaustive catalogue, the course attends to movements and theoretical frameworks that still fuel contemporary practice and criticism.

Credits

5

General Education Code

IM

HAVC 48 Climate Justice Now! Art, Activism, Environment Today

As climate change grows more severe, artists and activists are creating strategies of consciousness-raising, mass mobilization, and sustainable living. This course investigates the convergence of climate justice and cultural politics, exploring imperatives for a just transition to a post-carbon future.

Credits

5

Instructor

TJ Demos

General Education Code

PE-E

HAVC 49 From Memes to Metadata: an Introduction to Digital Visual Culture

Introduction to digital visual culture including critical and historical approaches to memes; social media and politics; and the many intersections of data, images, and society. Sample topics include: digital art, digital activism, and surveillance.

Credits

5

Instructor

Kyle Parry

General Education Code

PE-T

HAVC 50 Ancient Mediterranean Visual Cultures

The role that ancient art and visual culture play in constructing social identities, sustaining political agendas, and representing various cultural, ritual, and mythological practices in Mesopotamia, Egypt, Greece, and Rome, including the sociology of ancient cultures, mythology, religious studies, gender studies and history.

Credits

5

General Education Code

IM

HAVC 51 Greek Eyes: Visual Culture and Power in the Ancient Greek World

The central role of visual communication in ancient Greek civilization: examines the construction of cultural, social, political, religious, and gender identities through material objects and rituals. Includes discussions of images of the public and private sphere, athletic and theatrical performances, mythology, pilgrimage, and magic.

Credits

5

Instructor

Maria Evangelatou

General Education Code

IM

HAVC 55 Unclothed: The Naked Body from Antiquity to the Present

The human body without clothing in European and European-American art and visual culture from ancient Greece to the present day. Among the themes to be addressed: gender, youth and age, sexuality and sexual preference, fecundity and potency, erotic art and pornography, primitivism and the naked body of the non-European. (Formerly HAVC 31, The Nude in the Western Tradition.)

Credits

5

Instructor

Maria Evangelatou

General Education Code

IM

HAVC 58 Gardens of Delight: Fifteen Centuries of Islamic Visual Culture

Examines some of the most representative creations of Islamic visual culture from the 7th Century to the present in order to appreciate the richness of this tradition and its extensive influence on other cultures. Focuses on the social, political, and religious role of a variety of materials, from mosques, palaces, and gardens to visual narratives, ceremonies, dance, and contemporary films.

Credits

5

Instructor

Maria Evangelatou

General Education Code

CC

HAVC 60 Indigenous American Visual Culture

Selected aspects of art and architecture of the first peoples of the Americas, north, central, and south, from ca. 2000 B.C.E. to present. Societies to be considered may include Anasazi, Aztec, Inca, Northwest Coast, Maya, Navajo, Plains, and others.

Credits

5

General Education Code

ER

HAVC 64 Indigenous North American Materiality and Resistance

Through case studies of contemporary and historical practices, course examines the rich visual cultures of the United States and Canada. Students learn about the role artists play in resisting colonization and sustaining community knowledge.

Credits

5

General Education Code

ER

HAVC 65 Native American Art and the Environment

Introduces students to the work of Native American artists that either reflects environmental knowledge or which reacts against threats to natural resources. By studying current issues such as fossil fuel extraction, invasive species, and wildfires, students learn how artists contend with threats to their ancestral homelands and how art functions as a powerful medium for raising awareness of these challenges.

Credits

5

General Education Code

ER

HAVC 70 Visual Cultures of the Pacific Islands

Interdisciplinary course examines visual cultures of Australia, Melanesia, Micronesia, and Polynesia from the archaeological past through contemporary periods.

Credits

5

Instructor

Stacy Kamehiro

General Education Code

CC

HAVC 76 Oceanic Digital Arts

Focuses on critical oceanic studies as an artistic paradigm for creating digital technologies. Pacific Islander artists create digital art to preserve and revitalize cultural practices. Oceanic digital arts are a form of cultural reclamation and represent a growing artistic movement to archive knowledge for future generations in the face of climate disaster and cultural erasure. Students analyze Indigenous virtual art to understand the benefits and shortcomings of prioritizing technology for Native knowledge production/preservation within our ever-increasingly techno-mediated world.

Credits

5

Instructor

Nicole Furtado

General Education Code

ER

HAVC 80 Colonial Histories and Legacies: Africa, Oceania, and the Indigenous Americas

The arts and visual cultures of selected cultures that developed outside the spheres of influence of major European and Asian civilizations, with an emphasis on the history and influence of colonialism in creating current ethnic and racial categories.

Credits

5

General Education Code

ER

HAVC 85 Introduction to Global Architecture

Introduces the study of architecture and the built environment from a global perspective, focusing on architecture's relation to themes, such as ritual, power, the city, technology, and climate.

Credits

5

Instructor

Albert Narath

General Education Code

CC

HAVC 99 Tutorial

Supervised study for undergraduates. Students submit petition to sponsoring agency.

Credits

5

Repeatable for credit

Yes